Time. Space. Repeat. – Plot Armour | This Is Post-Rock: Midweek Feature

Independent Southampton, UK-based artist Time. Space. Repeat. has released the Colliderscope EP.

Time. Space. Repeat. - Colliderscope EP

Released: May 2, 2025

1. Colliderscope 04:49
2. Yellow Paint Everywhere 04:56
3. I Gave You One More Chance 04:16
4. Saudade 05:04
5. Plot Armour 04:48
6. Farewell to Mimi 03:11

Record Label: Independent

Behind Time. Space. Repeat. is a one-man band and solo project by Angus Reid, also known under various aliases. I find that mysterious approach quite surprising, but it seems to be fairly common among artists—perhaps we can thank Mr. Pajo for that. Either way, I’ve always found it intriguing. While I enjoy knowing the names behind the music, it’s a good reminder that, in the end, what truly matters is the music itself—the part that outlives us all.

Anyhow, the Colliderscope EP has been described as cinematic instrumental, shoegazey, and post-rock with strong Mogwai influences—labels I agree with. But I would also add a notable influence of Intelligent Dance Music (IDM), making this a release that could easily resonate with fans of Aphex Twin or Boards of Canada.

The subtle yet significant electronic elements play an important role on the record. Personally, I appreciate the integration of glitch textures in post-rock, although I often gravitate toward more organic sounds rather than computer-generated ones. That’s likely why my favorite track on the EP is Plot Armour. It opens with a sound that reminds me of a dulcimer—though I could be mistaken, as it may have been post-processed.

There’s limited information available about the recording, but I would assume the guitars were recorded, while the drum beats, soundscapes, and layered string arrangements were programmed. For my taste, Plot Armour feels like the most organic-sounding piece on the record. Perhaps it’s the prominence of the guitar, but also the string section that unfolds around the 3:30 mark—it completely draws me in. The production details in that part, with the waves of sound and the gradual build-up, are absolutely compelling. Solid work.

TSR is not an artist seeking to promote his music or become the next big thing. As far as I know, he’s been creating music as a hobby—exploring sounds in between parenting and teaching music. It’s a project born from the heart and driven by a desire to explore soundscapes and emotions.

Nonetheless, he’s an active and generous member of The Post-Rock Appreciation Society group on Facebook, where he’s as grateful as he is eager to contribute. On the last Bandcamp Friday, he shared: “I always try to spend more than I earn on Bandcamp Friday. Thanks to Colliderscope, I’m getting to spend a fair bit this time around!”

You can find him on social media, where he occasionally shares his influences.

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Maxime Lavoie
Maxime Lavoie

Music changed me — and still does.
I'm not particularly good at writing, nor do I know much about post-rock, so I’m not even sure what I’m doing here! 😅

Mostly enjoying melancholic music… I guess there is comfort in sadness for me. That probably made me the perfect target for post-rock when it found me. That said, I enjoy all kinds of music — especially soundtracks, shoegaze, and post-punk.

I’m constantly on the lookout for sounds that will blow my mind — that rare kind of feeling you don’t experience often in a lifetime… Falling in love with a new artist or a new sound... but when it happens, it's priceless.

That’s what happened to me with a few artists, including Alex Henry Foster, Emma Ruth Rundle, Loma, Oiseaux-Tempête, Fugazi, Switchfoot, and maybe a few more…
(Sorry Efrim, but I still love GY!BE 😉)

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